Acousmatic Noise: Racialization and Resistance in The Tempest's 'New World' Soundscape
نویسندگان
چکیده
I analyze Shakespeare’s racialization of noise in The Tempest as an acousmatic phenomenon and suggest how the — sound whose source remains hidden is imagined a weapon resistance that racialized noisome Other could use to resist aristocratic colonial power. play echoes Algonquian-speaking Powhatan singing Tsenacommacah mode warfare against English Virginia 1611 with Caliban his companions’ (Stephano Trinculo) revolt.
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ژورنال
عنوان ژورنال: Early Theatre
سال: 2022
ISSN: ['1206-9078', '2293-7609']
DOI: https://doi.org/10.12745/et.25.1.4484